Showing posts with label Story Thursday. Show all posts
Showing posts with label Story Thursday. Show all posts
Thursday, October 11, 2012
Story Thursday: The Sea
James stuck his nose into the bouquet of fresh herbs and breathed in deeply. Lavender, basil, thyme, rosemary reached into his nostrils and filled his head with heady spices.
“This is Provence,” he murmured.
“And you go away too much,” Mado replied, hurling herself down on the blanket next to him. “We’ll have to send you back to California with a pot of herbs and a couple bottles of Memée’s lavender oil so you don’t get homesick.”
James grinned and tossed the herbs down with the rest of the food spread out on the blanket. They were at the beach, and the Mediterranean crashed in the background, a rhythmic cadence that was at once soothing and exhilarating. James and Mado were the only one of the group of five cousins who were not in the rich blue water. Instead, James was tending to their lunch, knowing that soon enough his cousins would be ravenous. They had stopped in at the market before leaving the town to buy fresh fish, and he was roasting them in the coals with some butter, lemons, herbs and scallops. There was also fresh bread from the Memée’s kitchen, several bottles of water, some ripe tomatoes and melons. All good fare, the kind that was geared towards enabling active children to grow while still thinking the food was good. James had been old enough long enough to recognize the tricks.
“I love the beach,” Mado said, leaning back and turning her face up to the sun. “I love the sand, and the sea, and cooking here, and drying off on the blanket. I love the way everything smells.”
James laughed, something that caught him off guard these days. “You should be a pirate.”
Mado giggled. “Captain Mado, Queen of the Mediterranean. And it’s only like this in Provence! I don’t think that anywhere else in the world could smell like lavender and baking earth and the sea all at the same time.”
“And fresh fish,” James remarked, nudging the foil-wrapped specimens out of the coals and onto the edge of the fire. “Lunch!” he bellowed in the direction of the waves, and instantly his cousins came spilling out of the water like so many merfolk, running up the sand towards them. Lunch was something they took very seriously, especially when James was cooking.
“James, you made mussels!” shrieked Lucie.
James grinned, doling out the tiny black shells onto the plates Memee had packed for them. He had bought several pounds back at the fishmonger’s stall, but this fact had somehow gone unnoticed by his cousins.
“To go with the skate,” he said cheerfully, peeling back the edges of burnt foil to reveal the succulent white flesh inside. “Bon appétit.”
If nothing else, perhaps, the best part of summer was eating good food you had cooked yourself over a fire, after playing for hours in the azure sea. Certainly, fish caught that morning and eaten piping hot was heavenly. The cousins sat sprawled around the blanket, eating with their fingers as they would never have done with adults around, popping bits of shellfish and bread into their mouths and washing it all down with swigs from the honey-flavored white grape juice that the wine merchants sold to children.
“We should do this all the time,” said Bertram contentedly as he mopped up the juices of the fish with a hunk of bread. “No adults, no babies, just us and the sea and good food.”
“I miss Colin and Audrey,” Lucie said softly, and they all went quiet. “They’d have liked this.”
They looked at James uneasily, but he just looked down at his hands. He had been thinking the exact same thing.
“They wouldn’t want us to be sad,” he said at last. “And Audrey hated shellfish.”
They all laughed at that, and the moment passed. Julie, the youngest of the “older cousins”, leaned on James’s arm and dozed off, worn out by swimming and felled by a good meal even before they had gotten to dessert. James tipped her over onto the blanket gently and stuck a folded-up towel under her head for a pillow. Lucie helped Bertram clean up, sticking all of the utensils in the big mussel pot and stowing it in the picnic basket. While they tidied, Mado took a knife and cut up the luscious tarte aux fraises that Memée had packed, then flicked spoonfuls of thick cream over it all and passed slices around. James sat back and watched it all, humming softly. It was common knowledge that whoever did the cooking was exempt from the clean up.
Later, when the food was all gone and the five kids were lying mostly asleep on the sand, Pepé came in the big car to take them back to the farm. Five deliciously tired, sun-tanned bodies climbed in and drowsed all the way back home, leaning against each other. They were all encrusted with sand and sea salt, and there would be cool showers before dinner and bed. Pepé surveyed his grandchildren over his shoulder and smiled to himself.
When James crawled into his bed that night, slipping between the cool bed sheets, he felt so wondrously exhausted that he thought he would be asleep as soon as his head met the pillow. Instead, he lay awake for a while, staring at the moonlight playing over the walls, drowsily smelling the spicy lavender that drifted through the open windows, listening to the distant roar of the sea. He felt that if he reached his hands out on either side of him, he would feel the warm sleeping bodies of his siblings where they should be. Of course they were not there. But tonight, for perhaps the first time ever, he did not feel the loss of them as keenly as he always did. Instead he felt closer to them than he had since the day they died, and this was intensely comforting. It was enough, for now. Life goes on, he thought, and with that, sleep claimed him and he thought no more.
*
By Me.
(Photo from Pear Tree)
Thursday, September 27, 2012
Story Thursday: "Not mine," she said
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
--E.A. Poe
(Obviously not mine; I can't write poetry, let alone something so creepily gorgeous as this.)
(Photo from Pear Tree
Thursday, September 13, 2012
Story Thursday: The Letterpress
Thursdays from now on will be a day in which I share my writing: usually a very rough piece that I've written for the occasion. Welcome to the new series!
*
(Photo by Garance Dore)
The letterpress was a family heirloom, passed down from father to son over so many generations that he was never certain how many had actually passed. It had been in existence some two hundred years, an unwieldy, cantankerous antique with a mind of its own. He had been raised with the knowledge that he would one day inherit the piece, along with its cabinet of tiny wooden letter blocks. These had always fascinated him: such tiny pieces of metal, all arrayed in individual drawers by typeface: Garamond, Benguiat Gothic, Sistina rubbing shoulders with Caslon Antique and Gentium.
In college, he had devoted himself to the history of books, an oft-romanticized field. Really, there was nothing romantic about the science of setting antique type, smearing it with ink, and rolling reams of smooth paper over it all. But he supposed that there was a certain magic to it. Late at night, as he sat in the university library among old machines, listening to the late night calls of janitors and the far-away hum of the computer lab. Up here in the antique book library was another world. Surrounded by lab tables and the silent hulk of antique machines, he felt at home.
But he was not prepared to inherit the press on graduation. Less than a day after commencement, his father handed him the deed to the business. Arthritis had attacked him young, twisted and gnarled his fingers so that he could not continue working the family business. And after all, didn’t his son want a good job? Didn’t he want to prepare for the future?
It was one thing to prepare for the future. It was another entirely to have it thrust upon you.
For years after he became the head of his little company, he resented his father. He worked the letterpress, designed and printed countless invitations for weddings, birthdays and funerals for those nostalgic enough to want handmade cards and wealthy enough to pay for them. He supplied pamphlets and posters to museums and historical societies; printed programs for the local opera and theater companies. His world became one of hot ink, hot vellum paper into which quips and witticisms by countless writers and philosophers were pressed; one of order forms and chemicals and distraught brides convinced that their entire future lay in the perfectly inked whorl of an antique letter “g”. There were times when he hated it all.
He shelved his dreams of moving to Europe to pursue a Ph. D in eighteenth century underground printing presses. I can’t leave the firm, he explained to his concerned girlfriend, then wife, when she pointed out his sadness. I can’t let my father down. I can’t let the family down. I can’t. I just can’t.
One night, ten years to the day from his commencement as owner of the business, he sat in his darkened workshop, head in his hands. I can’t go on like this. I’m destroying everything. He picked up the pressboard he had been setting-Save the Date! Julie and Nick are tying the knot!-and hurled it at the wall. Wood and iron typeface rained down on the floor. He kicked the letterpress itself; unimpressed, it did not move. That only served to enrage him further. He threw dye jackets, brushes, all the tools he could lay his hands on. Then he sank down and wept.
His wife found him soon after, looking glumly around at the wreckage of his temper tantrum. She turned the lights on and came to kneel before him. This is not what you want. Her hands were warm in his. The only person you will let down is yourself, if you continue to follow another man’s dreams for you. He looks into her eyes, and knows that she is right.
Fast forward ten years. Here stands the same man, older, a little wiser, happy again. He is showing his teenage daughter how to set the type for her birthday invitations. His invitation making days are a thing of the past, but hers are just beginning. The letter press is used for other purposes now, less homely ones, but ones that thrill him beyond belief. This company is now the number one purveyor of authentic eighteenth century Gothic chapbooks in the world. Fifteen different publishing companies pay him to make special edition books for them. He prints only small numbers, laying the type, sewing the pages together, gluing on the soft fabric cover. His books are expensive, works of art. They line the bookshelves of professor and amateur alike. His father is proud.
Have I done this right, Dad? His daughter asks, indicating an inked tray. How does it look?
Press a sheet and see.
It comes out perfect, a pink and gold confection on creamy white vellum, and his daughter’s face lights up into a grin. One day this will be yours, he thinks. Do what you want with it. Make me proud.
*
(Photo by Garance Dore)
The letterpress was a family heirloom, passed down from father to son over so many generations that he was never certain how many had actually passed. It had been in existence some two hundred years, an unwieldy, cantankerous antique with a mind of its own. He had been raised with the knowledge that he would one day inherit the piece, along with its cabinet of tiny wooden letter blocks. These had always fascinated him: such tiny pieces of metal, all arrayed in individual drawers by typeface: Garamond, Benguiat Gothic, Sistina rubbing shoulders with Caslon Antique and Gentium.
In college, he had devoted himself to the history of books, an oft-romanticized field. Really, there was nothing romantic about the science of setting antique type, smearing it with ink, and rolling reams of smooth paper over it all. But he supposed that there was a certain magic to it. Late at night, as he sat in the university library among old machines, listening to the late night calls of janitors and the far-away hum of the computer lab. Up here in the antique book library was another world. Surrounded by lab tables and the silent hulk of antique machines, he felt at home.
But he was not prepared to inherit the press on graduation. Less than a day after commencement, his father handed him the deed to the business. Arthritis had attacked him young, twisted and gnarled his fingers so that he could not continue working the family business. And after all, didn’t his son want a good job? Didn’t he want to prepare for the future?
It was one thing to prepare for the future. It was another entirely to have it thrust upon you.
For years after he became the head of his little company, he resented his father. He worked the letterpress, designed and printed countless invitations for weddings, birthdays and funerals for those nostalgic enough to want handmade cards and wealthy enough to pay for them. He supplied pamphlets and posters to museums and historical societies; printed programs for the local opera and theater companies. His world became one of hot ink, hot vellum paper into which quips and witticisms by countless writers and philosophers were pressed; one of order forms and chemicals and distraught brides convinced that their entire future lay in the perfectly inked whorl of an antique letter “g”. There were times when he hated it all.
He shelved his dreams of moving to Europe to pursue a Ph. D in eighteenth century underground printing presses. I can’t leave the firm, he explained to his concerned girlfriend, then wife, when she pointed out his sadness. I can’t let my father down. I can’t let the family down. I can’t. I just can’t.
One night, ten years to the day from his commencement as owner of the business, he sat in his darkened workshop, head in his hands. I can’t go on like this. I’m destroying everything. He picked up the pressboard he had been setting-Save the Date! Julie and Nick are tying the knot!-and hurled it at the wall. Wood and iron typeface rained down on the floor. He kicked the letterpress itself; unimpressed, it did not move. That only served to enrage him further. He threw dye jackets, brushes, all the tools he could lay his hands on. Then he sank down and wept.
His wife found him soon after, looking glumly around at the wreckage of his temper tantrum. She turned the lights on and came to kneel before him. This is not what you want. Her hands were warm in his. The only person you will let down is yourself, if you continue to follow another man’s dreams for you. He looks into her eyes, and knows that she is right.
Fast forward ten years. Here stands the same man, older, a little wiser, happy again. He is showing his teenage daughter how to set the type for her birthday invitations. His invitation making days are a thing of the past, but hers are just beginning. The letter press is used for other purposes now, less homely ones, but ones that thrill him beyond belief. This company is now the number one purveyor of authentic eighteenth century Gothic chapbooks in the world. Fifteen different publishing companies pay him to make special edition books for them. He prints only small numbers, laying the type, sewing the pages together, gluing on the soft fabric cover. His books are expensive, works of art. They line the bookshelves of professor and amateur alike. His father is proud.
Have I done this right, Dad? His daughter asks, indicating an inked tray. How does it look?
Press a sheet and see.
It comes out perfect, a pink and gold confection on creamy white vellum, and his daughter’s face lights up into a grin. One day this will be yours, he thinks. Do what you want with it. Make me proud.
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